Showing posts with label Tribal Art. Show all posts
Showing posts with label Tribal Art. Show all posts

20 March 2012

Lempertz Tribal Art Auction

Auction: Lempertz Tribal Art Auction
Date: 31st March 2012
Preview: 27 and 30 March 2012
Place: Lempertz, rue aux Laines 1, Wolstraat, 1000 Brussels, (Belgium)
Contact:  Christine de Schaetzen and Victor Teodorescu
email: brussel@lempertz.com
Comments:
Lempertz is one of the leading auction houses in Europe and the eldest in family posession. The history of the company reaches back to the beginning of the 19th century. In 1802, Johann Matthias Heberle established the „Antiquargeschäft mit Auktionsanstalt (Antiquarian Book Shop including Auctions)" that held important auctions of rare books and art works. After the death of the founder in 1840, his employee Heinrich Lempertz, at that time 24 years old, took over the company that was than renamed „J. M. Heberle (H. Lempertz)“
On 5 September 1844, the administration of the City of Cologne granted the concession to establish a branch in Bonn that was managed by Mathias Lempertz, brother of Heinrich Lempertz. On 18 November 1844, the first Lempertz auction was held in Bonn. From April 1845 Lempertz resided in a house in Fürstenstrasse 2 in which the widow of Friedrich Schiller had died in 1826. The auction of the important library of August Wilhelm Schlegel in 1845 established the company´s reputation, followed by the auction of the estates of E. M. Arndt (1860) and B. Hundshagen (1867) with a manuscript of the Nibelungen from the early 15th Century that was acquired by the Royal Library in Berlin.
Peter Hanstein buys the respected firm in 1875 and gradually moves the auction business to Cologne. In 1918 the building at Neumarkt is purchased. The classicist building is destroyed by bombs in 1943, like most of Cologne’s inner city. After the monetary reform Lempertz succeeds once more in establishing itself as the leading German art and auction house. A visible sign of this is the building at Neumarkt, completed in 1952, listed today in the Register of Historic Buildings. The Roman-Germanic Museum and the Wallraf-Richartz-Museum organize their first exhibitions here between 1953-1957. In 1965 the Gallery Lempertz Contempora is founded, an exhibition forum for contemporary art. In 1984 Lempertz complements its range by buying into the antique book store Venator. The name is changed to Venator & Hanstein.
Since the beginning of 2000, Kunsthaus Lempertz is the only German auction house to be part of the renowned International Auctioneers group (IA), a group that unites eight independent leading auction houses from eight countries.

© Photo and text: Lempertz

24 January 2012

Pre-Columbian Art Auction at Gerhard Hirsch

Auction: Pre-Columbian Art Auction
Date: 6th February 2012, 15:00h
Preview: 2nd and 3rd February from 10 to 12 and 13 to 17.
Place: Münzenhandlung Gerhard Hirsch Nachfolger, Promenadeplatz 10/II, 80333 München (Germany)
Contact:  Dr. Ernst J. Fischer
email: coinhirsch@t-online.de
Comments:
Live Bidding – at home from your computer!
Participate comfortably in the Hirsch auction from home or your office – live on the Internet.
You hear the auctioneer, you see the current lots, you can bid in real time. It is fast, easy, comfortable.
You just need a computer, an internet connection and to register on-line in advance
  • Bid live, just as if you were in the auction room personally.
  • Listen live, the auctioneer’s voice is broadcasted in real-time.
  • See live, follow the increments lot by lot.
Your advantages at a glance:
  • You can log on and bid at any time.
  • You are always informed about increments and hammer prices.
  • You see the current increment in Euro and other currencies.
  • You can look at the total of your winning bids at any time.
  • You can inform the auctioneer (up to one lot before) of the lots you might bid on.
  • Take all advantages of an auction room bidder and react individually and independently to win your favorite lots.

© Photo and text: Gerhard Hirsch Nachfolger

27 December 2011

Art of the Dogon

The Art of The Dogon, ETHNIKKA blog for human cultural knowledge
BOOK REVIEW 
Title: Art of the Dogon 
Author: Jan Baptist Bedaux 
Year of publication: 2012 
Paperback: 368 pages 
Language: English 
Synopsis(Some information by the author himself): 
My name is Jan Baptist Bedaux and I would like to tell you something about my new book  Art of the Dogon. A private collection of Dogon material culture, Bedaux Art Editions, Brussels 2012, 368 pp, 745 ills. in full colour, hard cover 30 x 30 cm, ISBN/EAN 978-90-818531-0-, that will appear in January 2012.
In the summer of 1975 I had my first encounter with the cultures of the Dogon and Tellem. This was at Utrecht University’s Institute for Human Biology, whose exhibition represented over ten years’ research by the institute’s staff in the Republic of Mali in the area where the Dogon live and before them the Tellem.
The exhibition showed a wealth of items that had been placed in the caves as grave gifts for the Tellem dead – artefacts that were a constant inspiration to me when I founded my collection. In the same year, I acquired my first Tellem neckrests, which were included two years later in the Tellem exhibition in the Afrika Museum in Berg en Dal. These were soon followed by the first statues, which I bought in Paris from Michel Huguenin, Félicia Dialossin and Robert Duperrier.
My 35 years of collecting since then have created a collection that gives a broad view of the material culture of the Dogon and Tellem.
In my view, the value of the collection lies not just in its breadth, but also in the sheer variety of items. For, when compiling it, I was always guided by my ongoing fascination with the wide diversities within the Tellem and Dogon cultures.
The book contains 745 illustrations and descriptions of 650 objects spread over 368 pages. The cost is 95 € (without shipping).
Almost none of the items were ever published before. I am sure the collection will surprise you.
For a taste of Art of the Dogon click here (pdf).
As a bonus you get a signed copy when you buy through the website www.bedauxart.nl
©Text: Bedaux Art

1 November 2011

Arts Premiers auction at Prunier

Auction: Arts Premiers auction
Date: 6th November 2011 14:00h
Preview: 5th November 10-12h and 14-18h, 6th November 10-12h
Place: Hôtel des ventes de Louviers, 28 rue Pierre Mendès, Louviers (France)
Contact:  Jean-Emmanuel Prunier (info@prunierauction.com)
Comments:
The auction will be held by Jean-Emmanuel Prunier

© Photo and text: Jean-Emmanuel Prunier

22 October 2011

Meet the Natives

TV SERIES REVIEW
Title: Meet the Natives
Year: 2007
Running time:  45 minutes each episode
Country: UK and USA
Plot summary:

Meet the Natives is a reality television show that first aired in September 2007 on Channel 4 in the United Kingdom. This series included five tribesmen: Yapa, Joel, JJ, Posen and Albi, from the island of Tanna (Vanuatu) who travel to England to participate in an experiment which Guy Adams of The Independent called reverse anthropology.
The series has three episodes in which they visited a Norfolk pig farm, a Manchester estate, and Chillingham Castle in Northumberland.



Meet the Natives: USA is a spin off of the UK version of this television series in which the tribesmen travel to the United States, this time on a quest to learn more about the land and also share their ideas and beliefs. Meet the Natives: USA aired on the Travel Channel in November and December 2009.



The 6 episodes for the American series are:
1. "Montana"
For their first stop, the tribesmen traveled to a cattle farm in Montana. During their visit, they learned how Americans raise and maintain farms. The tribe did not like the fact that medicine is injected into the cows that people actually eat for the fear of "spoiling the body".

2. "New York"
The men visited New York's upper class area where they meet Bunny, who lives alone while her husband is away on business and her children are away at college. Bunny introduces them to the art of painting. The tribe starts to realize that America lives off of money. They take interest in an individual who is homeless and quickly explain how their culture would not allow for an individual to be homeless.

3. "Peoria"
In Peoria, the tribesmen get the chance to experience Thanksgiving. While helping cook the meal, they have some concerns with the way in which the food had been stored. They were particularly concerned with using a plastic oven bag to cook the turkey in for the fear of being poisoned. They also were shocked that people ate food that has been stored in tin cans for months, maybe even years. They realized that the way Americans cook is very different from the way they are used to cooking.

4. "Orange County
The men travel to Orange County, California where they experience the life of being pampered with pedicures, facials and mud baths. They also play golf, observe a home Botox party, and ride roller coasters at Knott's Berry Farm. They notice that there is a lot of food available as well as the usage of cars for almost everything.

5. "Fort Stewart"
The tribesmen travel to Fort Stewart and Washington, D.C., where they learn more about the war that America is fighting and they also give advice on keeping peace. They explain that they do not agree with people fighting other people and they vigorously tried to relay the message that America should put the guns down and keep peace. They speak with Colin Powell to try to get their message across to the people of America.

6. "Reflections"
The group reflects back on the experience they had while visiting America. They express that they know there are some differences, but for the most part people in America are loving and very welcoming individuals. They also reflect back on the "big animals" of America, such as the buffalo, and their first time seeing snow. While in the U.S they loved eating ice cream and sweets such as candy. They are preparing to go back home and tell the rest of their tribe about their experience and everything they learned about American culture.

American series cast:
Chief Mangau is the chief of the tribe who is the elder and leader of their tribe. He was sent with the others by his father, the supreme chief of the tribe back in Tanna. His purpose of going on this journey with the other four men was to serve as a leader and to help keep the rest of the men on track. He is the oldest of the five men at the age of 65 years old.
Keimua serves as the "head dancer" of the group. Back in Tanna he helps coordinate dance routines and teaches the children of the tribe how to do the traditional dances. In America he brings smiles to many faces with charm and love for dancing.
Sam is the "medicine man" of the tribe and serves as somewhat of a doctor of the tribe. During his visit to the United states he was specifically interested in how Americans treat themselves of different infections and diseases. He gave advice and shared the different treatments that his tribe has traditionally used throughout the tribes history.
Kuai serves as the "happy man" of the tribe. He is known for spreading happiness and jokes. In Tanna his purpose is to help keep the tribe happy in times of sadness and also everyday life. While in the United States he kept the families that they were staying with laughing and kept the field open for memorable moments.
Namus is the translator of the group. Holding one of the most important roles of the group he helps to connect the two worlds together. Without him the experience may have been very different for the tribe and the families in America. As a young child he had gone away to school to learn English. He is also the youngest of the group at the age of 27 years old.

"Tom Navy" is one of the major reasons for the tribesmen's visit to the United States. The tribe has learned that America is at war and they want to return the message of keeping peace that the U.S had given them once before. During World War II, the Americans helped to keep the tribe at peace during a time when the tribe was fighting. "Tom Navy" is described as an African American serviceman who helped the tribe during this time. During their visit to America the tribe had wished to meet Tom Navy to thank him for his help, provided during hard times. The show's executive producer, Charlie Parsons, guessed that back during the war there was a man by the name of Tom, who was from the Navy and his name was understood by the tribe as being Tom Navy.

In the UK series, the tribesmen meet finally and off-camera, Prince Philip, who they adore as a god. The Prince Philip Movement is a religious sect followed by the Yaohnanen tribe on the southern island of Tanna in Vanuatu.
The Yaohnanen believe that Prince Philip, Duke of Edinburgh, the consort to Queen Elizabeth II, is a divine being; the pale-skinned son of a mountain spirit and brother of John Frum. According to ancient tales the son travelled over the seas to a distant land, married a powerful lady and would in time return. The villagers had observed the respect accorded to Queen Elizabeth II by colonial officials and came to the conclusion that her husband, Prince Philip, must be the son from their legends.
When the cult formed is unclear, but it is likely that it was sometime in the 1950s or 1960s. Their beliefs were strengthened by the royal couple's official visit to Vanuatu in 1974, when a few villagers had the opportunity to observe the Prince from afar. At the time the Prince was not aware of the cult, but the matter was eventually brought to his attention by John Champion, the British Resident Commissioner in Vanuatu between 1975 and 1978.
The Resident Commissioner suggested that the Prince send them a portrait of himself. A signed official photograph was duly dispatched. The villagers responded by sending a traditional nal-nal club. As requested, the Prince in return sent them a photograph of himself posing with the weapon. Another photograph was sent in 2000. All three photographs were kept by Chief Jack Naiva, who died in 2009.
On September 27, 2007, British television station Channel 4 broadcast Meet the Natives, a reality show about five Tanna natives of the Prince Philip Movement on a visit to Britain; their visit culminated in an off-screen audience with Philip, where gifts were exchanged, including a new photograph of the Prince.
Yaohnanen people were featured on the second season of the Spanish television series "Perdidos en la Tribu" (Lost in the Tribe), on which they cohabitated with a Spanish family during the course of 21 days, teaching them their customs and culture, and also in the first season of the same Portuguese series called "Perdidos na Tribo".

© Text and image: Wikipedia, Channel 4

18 October 2011

San Francisco Tribal Show 2011

SHOW 
Name: SAN FRANCISCO TRIBAL SHOW 2011 
Date: November 4-6, 2011 
Place: Fort Mason Building D, Fleet Room, San Francisco (USA
Webpage: www.sftribal.com 
Comments:
PREVIEW OPENING NIGHT
NOVEMBER 4 • 6pm - 9pm
sushi and champagne
$35 at the door

REGULAR SHOW HOURS
SATURDAY, NOVEMBER 5 • 11am - 7pm
SUNDAY, NOVEMBER 6 • 11am - 5pm
$10 entrance

History:
San Francisco Tribal is an association of tribal art dealers from the San Francisco Bay Area. The association is comprised of 13 experts in African art, Oceanic art, Asian art, pre-Columbian art and North American Indian art. The members offer a wide range of high quality sculpture, masks, textiles, ceramics, weapons, shields and jewelry from ancient and traditional cultures and are committed to a standard of excellence and professional conduct.
San Francisco Tribal member dealers guarantee the quality and authenticity of everything they sell. From pre-Columbian to tribal Asian, the dealers have sold important works of tribal art to renowned museums and private collections worldwide. San Francisco Tribal enhances accessibility to this important community and promotes the Bay Area as a major destination for collectors of fine tribal and textile art. To this end, San Francisco Tribal presents tribal art exhibits that showcase the diverse specialties of its members and maintains this website with information about the dealers and the works of art they have for sale.
Participating SFT dealers: Dave DeRoche, Erik Farrow, Joe Loux, Vicki Shiba,
Frank Wiggers, James Willis  
Guest Dealers: Peter-Michael Boyd, Taylor A. Dale, Joshua Dimondstein, Sandra Horn
and Ari Maswell, Mark Johnson, Lewis-Wara Gallery, K.R. Martindale


© Text and image: San Francisco Tribal Show 2011

8 October 2011

Tribe (Going Tribal)

TV SERIES REVIEW 
Title: Tribe (Going Tribal) 
Year: 2005 
Running time: 60 minutes each episode 
Country: UK 
Plot summary:
Tribe (known as Going Tribal in the United States) is a documentary television series co-produced by the BBC and the Discovery Channel, and hosted by former British Royal Marine Bruce Parry.
In each series, Parry visits a number of remote tribes in such locales as the Himalayas, Ethiopia, West Papua, Gabon and Mongolia, spending a month living and interacting with each society. While there, Parry adopts the methods and practices of his hosts, participating in their rituals and exploring their cultural norms. This often enables him to form personal bonds with the members of each tribe.
Parry tries to learn the basics of the tribe's language but is also accompanied by a translator.
The series is co-produced by BBC Wales and the Discovery Channel. A second series aired in July, 2006 and the third began on 21 August 2007 on BBC2, and ended on 25 September 2007.
Parry was awarded the BAFTA Cymru "Best On-Screen Presenter" award in 2008 for his work on the 'Penan' Episode. A BAFTA Cymru "Best Camera: Not Drama" award was also awarded for Gavin Searle's work in the same episode.

Tribe (Going Tribal) follows former Royal Marine and expedition leader Bruce Parry as he tests the physical limits of living with ancient tribes in some of the world's most remote areas.
Parry sheds social trappings (and sometimes his Western clothes) by living alongside people from the virtually unexplored areas of the Himalayas, Ethiopia, West Papua, Gabon and Mongolia. To the degree possible, while spending a month immersed in each society, Parry also tries to adopt the methods and practices of his hosts.
Parry enthusiastically embraces jungle hunting and the rituals of the warrior, being taught by strangers how to survive using bows, arrows, blowpipes, dogs, spears, traps, snares and clubs. He must cook and eat his catch using traditional methods such as hot stones, waxy leaves and bamboo pots.
Parry is accompanied by a translator, but learns the basics of tribal language. The series is accompanied by subtitles. Viewers hear unique languages and watch the sometimes-graphic practices of living and surviving in the jungle among some of the world's disappearing cultures.
Going Tribal is co-produced by the BBC Wales and the Discovery Channel.

Series 1
#          UK Title           US Title           Plot
1          Adi       Lost Tribe: The Adis   Travelling to north eastern India. The episode involves the sacrifice of a bull.
2          Suri     Dangerous Game: The Suri  Parry travelled to Ethiopia.
3          Kombai           Living with Cannibals Parry travelled to West Papua.
4          Babongo         African Vision Quest  Parry travelled to Gabon.
5          Darhad            Horse Masters of Mongolia    Parry travelled to Mongolia. He witnessed a shamanic ritual.
6          Sanema          Waking the Spirits      Parry travelled to Brazil. He took part in a ritual involving hallucinogenic drugs.

Series 2
#          UK Title           US Title           Plot
7          Nyangatom     Return to Africa          Parry returned to Ethiopia, to stay with the tribe who are sworn enemies of the Suri, whom Parry had met in the previous series.
8          Hamar Rites of Passage: The Hamar           Parry stayed in Ethiopia.
9          Dassanech     Crocodile Hunting       Parry again remained in Ethiopia.

Series 3
#          UK Title           US Title           Plot
10        Matis   Hunting with the Jaguar Tribe            Parry visited Brazil in South America.
11        Nenets            Nomads of the Siberian Tundra        Parry travelled to Russia.
12        Anuta   Lost Island of Anuta    Parry travelled to the Solomon Islands.
13        Akie     Life in the African Bush: The Akie      Parry travelled to Tanzania in Africa.
14        Layap  Journey to the Clouds: Bhutan          Parry travelled to Bhutan in Asia.
15        Penan Ghosts of the Forest  Parry travelled to Sarawak, Borneo.

About Bruce Parry:
Commissioned by the British Royal Marines in May 1988, Bruce Parry completed one year of management, leadership and commando training before spending several years as a troop commander.
In the Royal Marines, Parry specialized as a physical training instructor and became the youngest officer ever to be in charge of all physical aspects of Royal Marines commando training. He also served in Norway and Iraq before retiring as a lieutenant after six years of service.
As an expeditioner, the 35-year-old resident of England has personally organized and led more than 15 major expeditions to extreme parts of the world. Parry has extensive remote experience in the desert, arctic, jungle and mountains.
In film and television productions, Parry has worked as a location manager, assistant director, camera operator, director and host.
In addition, Parry hosted BBC's Extreme Lives: Cannibals and Crampons, the award-winning film about his journey into the heart of Irian Jaya, and he has recently appeared in an award-winning kids' series called Serious Jungle.

© Text and image: Discovery Channel, BBC

4 October 2011

Gazette Drouot International

MAGAZINES 
Name: Gazette Drouot International 
Address: 10, rue du Faubourg-Montmartre, 75009 Paris (France
Comments:
La Gazette Drouot, the leading magazine devoted to auctions and the latest cultural news in France, has launched a digital issue in English. This international version can be accessed free of charge on the internet, iPad and tablet PCs. Each month, you will find the very best of the art market, exclusive interviews, get-togethers with major museums and reports on the latest trends.

© Text and image: @uctionspress

30 September 2011

Warli et Mithilâ

EXHIBITION 
Name: Warli et Mithilâ 
Dates: From 6th July 2011 
Place: 405, Promenade des Anglais, Arenas, Nice (France) 
Webpage: www.arts-asiatiques.com 
Comments: 
Ethnic Paintings. Naive art and colorful women of North India.
These Indian paintings are exhibited on the first floor and are part of the donation of Mr. and Mrs. Hans Herrli. In love with India, they have made this collection during their multiple trips to India. The selected works are representative of a part of the Warli art and other art in the region of Mithila.
The Warli tribe has a population of about 300,000 members and live in Maharashtra, north of Mumbai (Bombay). The name comes from warla, which means a parcel of land. They have their own mode of belief, life and custom.
Their pictorial art was discovered in the seventies. Although there is no precise information on the exact origins of this art, Warli painting is a continuation of a tradition whose origins are between 2500 and 3000 BC. It is the expression of daily and social life of the tribe. The Warli used to paint the walls of their houses, and this was the only means of transmission because their dialect is not written. The paintings are only done on very rare occasions such as marriage or crops.
Iconography is very rudimentary and is based on the circle (the sun), the triangle (the mountain) and the square (the sacred enclosure). The paintings depict scenes of hunting, fishing and cultures, festivals and dances.
The Warli use only white colour, made from a mixture of rice paste, water and gum binder. The paint is applied using a previously chewed stick at its end to give it a flexibility comparable to that of a brush.


The paintings of Mithila or Madhubani derive their name from Mithila region in Bihar. They were traditionally made by village women who decorated the walls of freshly plastered mud houses, at weddings and religious ceremonies.
The paintings represent Hindu deities. We find therefore illustrations of Krishna, Rama, Durga, Lakshmi and Sarasvati. All spaces are decorated with geometric and natural elements like flowers or animals.
The art of contemporary painting of Mithila was born in the early sixties after the terrible famine in Bihar. The paintings on paper or canvas have been used to supplement income. This is how this art was discovered and brought to the West. The paintings use natural pigments and bamboo sticks instead of the brush.


© Text and image: Musée des Arts Asiatiques

22 September 2011

The Peoples of Vanuatu

John Frum, Vanuatu, ETHNIKKA blog for human culture knowledge
PEOPLES OF THE WORLD 
Name: Vanuatu (New Hebrides
Living Area: Vanuatu Islands (former New Hebrides)
Population: 240.000
Language: Bislama
Comments:   
The Republic of Vanuatu (French: République de Vanuatu, Bislama: Ripablik blong Vanuatu), is an island nation located in the South Pacific Ocean. The archipelago, which is of volcanic origin, is some 1,750 kilometres (1,090 mi) east of northern Australia, 500 kilometres (310 mi) northeast of New Caledonia, west of Fiji, and southeast of the Solomon Islands, near New Guinea.
Vanuatu was first inhabited by Melanesian people. Europeans discovered the islands in 1605 with the arrival of a Spanish expedition led by Fernandes de Queirós in Espiritu Santo. In the 1880s France and the United Kingdom claimed parts of the country, and in 1906 they agreed on a framework for jointly managing the archipelago as the New Hebrides through a British-French Condominium. An independence movement arose in the 1970s, and the Republic of Vanuatu was created in 1980.
The nation's name was derived from the word vanua ("land" or "home"), which occurs in several Austronesian languages, and the word tu ("stand"). Together the two words indicated the independent status of the new nation.

Vanuatu culture retains a strong diversity through local regional variations and through foreign influence. Vanuatu may be divided into three major cultural regions. In the north, wealth is established by how much one can give away. Pigs, particularly those with rounded tusks, are considered a symbol of wealth throughout Vanuatu. In the centre, more traditional Melanesian cultural systems dominate. In the south, a system involving grants of title with associated privileges has developed.
Young men undergo various coming-of-age ceremonies and rituals to initiate them into manhood, usually including circumcision.
Most villages have a nakamal or village clubhouse which serves as a meeting point for men and as a place to drink kava. Villages also have male and female-only sections. These sections are situated all over the villages; in nakamals, special spaces are provided for females when they are in their menstruation period.
The traditional music of Vanuatu is still thriving in the rural areas of Vanuatu. Musical instruments consist mostly of idiophones: drums of various shape and size, slit gongs, as well as rattles, among others. Another musical genre that has become widely popular during the 20th century in all areas of Vanuatu, is known as string band music. It combines guitars, ukulele, and popular songs.
The cuisine of Vanuatu (aelan kakae) incorporates fish, root vegetables such as taro and yams, fruits, and vegetables. Most island families grow food in their gardens, and food shortages are rare. Papayas, pineapples, mangoes, plantains, and sweet potatoes are abundant through much of the year. Coconut milk and cream are used to flavor many dishes. Most food is cooked using hot stones or through boiling and steaming; very little food is fried.

Known for their Cargo Cult:
A cargo cult is a religious practice that has appeared in many traditional pre-industrial tribal societies in the wake of interaction with technologically advanced cultures. The cults focus on obtaining the material wealth (the "cargo") of the advanced culture through magic and religious rituals and practices. Cult members believe that the wealth was intended for them by their deities and ancestors. Cargo cults developed primarily in remote parts of New Guinea and other Melanesian and Micronesian societies in the southwest Pacific Ocean, beginning with the first significant arrivals of Westerners in the 19th century.
Cargo cult activity in the Pacific region increased significantly during and immediately after World War II, when the residents of these regions observed the Japanese and American combatants bringing in large amounts of material. When the war ended, the military bases closed and the flow of goods and materials ceased. In an attempt to attract further deliveries of goods, followers of the cults engaged in ritualistic practices such as building crude imitation landing strips, aircraft and radio equipment, and mimicking the behaviour that they had observed of the military personnel operating them.
Over the last sixty-five years, most cargo cults have disappeared. However, some cargo cults are still active including:
The John Frum cult on Tanna island (Vanuatu)
The Tom Navy cult on Tanna island (Vanuatu)
The Prince Philip Movement on Tanna island (Vanuatu)
Yali's cargo cult on Papua New Guinea (Madang-region)
The Paliau movement on Papua New Guinea (Manus island)
The Peli association on Papua New Guinea
The Pomio Kivung on Papua New Guinea

An example of a Cargo Cult is the John Frum Cult:
The religion centering around John Frum arose in the late 1930s, when Vanuatu was known as the New Hebrides. The movement was heavily influenced by existing religious practice in the Sulphur Bay area of Tanna, particularly the worship of Keraperamun, a god associated with Mount Tukosmera, Tanna's highest mountain. In some versions of the story, a native named Manehivi, under the alias "John Frum", began appearing among the native people of Tanna while dressed in a Western coat, making promises of houses, clothes, food, and transport. Others contend that John Frum was a kava-induced spirit vision. Said to be a manifestation of Keraperamun, John Frum promised the dawn of a new age, in which all white people, including missionaries, would leave the New Hebrides, and that the native Melanesians would gain access to the material wealth that white people enjoyed. For this to happen, however, the people of Tanna had to reject all aspects of European society (money, Western education, Christianity, work on copra plantations) and return to traditional kastom (a word for native Tannese customs).
In 1941, followers of John Frum rid themselves of their money in a frenzy of spending, left the missionary churches, schools, villages and plantations, and moved further inland to participate in traditional feasts, dances and rituals. European colonial authorities sought to suppress the movement, arresting Frum, humiliating him publicly, imprisoning him, and ultimately exiling him, along with other leaders of the cult, to another island in the archipelago.
Despite this, the movement gained popularity in the early 1940s, when some 300,000 American troops were stationed in the New Hebrides during the Second World War, bringing with them large amounts of supplies, or "cargo". After the war, and the departure of the Americans, followers of John Frum built symbolic landing strips to encourage American aeroplanes to once again land and bring them "cargo". Versions of the cult that emphasize the American influence interpret "John Frum" as a corruption of "John from (America)" (although it could be John from anywhere), and credit the presence of black Americans as influencing the idea that John Frum could be black.
In 1957, a leader of the John Frum movement, Nakomaha, created the "Tanna Army", a non-violent, ritualistic organisation which organised military-style parades, their faces painted in ritual colours, and wearing white t-shirts with the letters "T-A USA" (Tanna Army USA). This parade still takes place every year on February 15.
The cult is still active today. The followers believe that John Frum will come back on a February 15 (the year of his return is not known), a date which is observed as "John Frum Day" in Vanuatu.
In the late 1970s, John Frum followers opposed the imminent creation of an independent, united nation of Vanuatu. They objected to a centralised government which they feared would favour Western modernity and Christianity, felt to be detrimental to local customs. The John Frum movement has its own political party, led by Song Keaspai. On John Frum Day in February 2007, the John Frum Movement celebrated its 50th anniversary. Chief Isaak Wan Nikiau, its leader, was quoted by the BBC from years past as saying that John Frum was "our God, our Jesus," and would eventually return.

© Photo and Text: Wikipedia

16 September 2011

Maya

EXHIBITION
Name: Maya, from dawn to dusk, National collections of Guatemala
Dates: 6th June to 2nd October 2011
Opening times: tuesday, wednesday and sunday : 11am . 7pm, thursday, friday, saturday : 11am . 9pm
Place: Quai Branly Museum, 37, quai Branly, Paris (France)
Entrance fee: 8,5 €
Webpage: www.quaibranly.fr

Through the presentation of more than 160 exceptional objects belonging to the National Heritage of Guatemala – painted ceramics, steles, cut semiprecious stones, funerary objects, architectural remains, ornaments, etc. – the exhibition retraces the development of Maya civilization, its rise and decline before the arrival of Spanish conquistadors in 1524 C.E., with a chronological visit distinguishing the pre-classical, classical, and post-classical periods.
In order to present the public with a wider and more complex conception of Maya culture, the chosen objects come from three large regions of Guatemala: the highlands, the lowlands, and the Pacific coast.
The exhibition also presents the discoveries made at multiple sites recently studied, such as El Mirador, at the head of a group of fi ve sites selected in 2002 by the Guatemalan government for nomination on the UNESCO World Heritage Site List. This latest research allows for the presentation to the visitor of a greater and more complex conception of Maya culture. The exhibition ends with a more contemporary section integrating multimedia and photographs, permitting the transmission of a broad view of ancient and contemporary Maya culture, and creating a link between past and present.


© Text and image: Quai Branly

14 September 2011

American Indian Shell Gorget

American Indian Shell Gorget, ETHNIKKA blog for human culture knowledge
ARTIFACTS AND OBJECTS OF THE WORLD
Name: American Indian shell Gorget
Origin: Northern California, (United States)
Museum: California State Indian Museum, Sacramento, California (United States)
Material: abalone shell
Dimensions: 10.795 x 7.62 cm. (4 1/4 x 3 in.)
Reference code:  BWH-18-AT-1-SL
Age: Pre-contact
Collector: Benjamin Welcome Hathaway, 1881-1959
Digital collection: Press here 
Comments:
A shell gorget is a carved pendant typically worn around the neck and frequently engraved, sometimes highlighted with pigments, and usually pierced. Many gorgets from Northern California tribes were made from the Haliotis or abalone shell, a material used to make many types of beads for jewelry and decoration for women's ceremonial skirts. Traditionally, both men and women wore these types of gorgets for personal adornment. Current regalia makers still use abalone shell as a decorative element.
Shell gorgets were most common in Eastern Woodlands of the United States, during in the Hopewell tradition (200 BCE–500 CE) and Mississippian cultural period (ca. 800–1500 CE); however, tribes from other regions and time periods, also carved shell gorgets. The earliest shell gorgets date back to 3000 years BP. They are believed to have been insignia of status or rank, either civic, military, or religious, or amulets of protective medicine. Due to the placement of the holes in the gorgets, they are also thought to be spinners that could produce whistling sounds.
Lightning whelk (Busycon contrarium) is the most common shell used for gorgets. Other shells, such as the true conch or Strombus, as well as freshwater mussels, are also carved into gorgets. Today, due to environmental causes, harvested lightning whelks are significantly smaller than in pre-contact times. These earlier shells typically ranged from 6 to 12 inches in length.
Harvested off the coasts of Florida and the Gulf of Mexico, the shells were traded through the Eastern Woodlands. This native trade continued into the 16th century.
Gorgets are carved from the penultimate whorl of the shell. A blank is cut or broken out, then ground smooth. Holes for suspension and decoration are drilled, sometimes with a bow drills or chert drills. The gorget forms a concave shape and, when engraved, the interior is polished and decorated.
While most gorgets are circular, some are shaped as rectangles with rounded corners, maskettes, or other novel shapes. An extremely elaborate pendant from Spiro Mounds is shaped as two hands connected by a common beaded bracelet.
Iconography on the shell gorgets comes from the Southeastern Ceremonial Complex (SECC). Extremely common designs include the triskele, coiled rattlesnake, water spider, chunkey player, and birdman, sometimes called a Falcon Impersonator.
There are over 30 pre-contact examples of the Cox Mound gorget style, found in Tennessee and northern Alabama and dating from 1250-1450 CE. The Cox Mound gorget style features four woodpecker heads facing counter-clockwise, a four-lopped square motif, and a cross within a rayed circle. The four-looped square, or guilloche, is considered by some to be a "whirling sun" motif, or a priestly or chiefly litter; by some, the earth held up by cords to the Sky Vault at the four cardinal points; and by others, the path of life with four stages of maturity. Woodpeckers are considered warrior birds among Cherokee and medicine birds that can extract illnesses among Muscogee Creeks. The birds are also sometimes interpreted as the four winds. The rayed circle or sun is interpreted literally, a deity or ancestors, council, and/or sacred fire. The entire design could also illustrate the Yuchi myth of the winds.
A gorget from the Castalian Springs Mound Site in Tennessee features a man holding a mace and severed head. This has been interpreted by some anthropologists as a "flying shaman."
Some agreement can be found in interpreting the cross-in-circle design, which references the sun and the ceremonial fire, fed by four logs aligned to cardinal directions. Another design widely agreed upon is the water spider with a cross-in-circle design on its cephalothorax. The spider gorgets illustrate a traditional story, common to many southeastern tribes from the Atlantic Coast to Missouri, about the water spider bringing fire to humanity.

About the California State Indian Museum:
The California State Indian Museum displays exhibits illustrating the cultures of the state's first inhabitants. California's prehistoric population, one of the largest and most diverse in the Western hemisphere, was made up of over 150 distinct tribal groups who spoke at least sixty-four different languages. California Indian population estimates, before the arrival of the first Europeans, were at least 500,000 people.
California Indian cultural items in the museum include basketry, beadwork, clothing and exhibits about the ongoing traditions of various California Indian tribes.  Descendents of the first Californians, tens of thousands of them, still live in California and still cherish and carry on their unique cultural heritage. Indigenous people have donated many photographs of family, friends and memorable times for use in the museum. A section of the museum features a hands-on area, where visitors can try their hand at using Indian tools, such as the pump drill, used for making holes in shell beads and other materials; the mortar and pestle and soap root brush, made from the soap root plant, all used for grinding acorns.
The California State Indian Museum is located in the downtown area of Sacramento at 26th and K Streets.

© Text and image: California State Indian Museum and Wikipedia