Showing posts with label Shows. Show all posts
Showing posts with label Shows. Show all posts

18 October 2011

San Francisco Tribal Show 2011

SHOW 
Name: SAN FRANCISCO TRIBAL SHOW 2011 
Date: November 4-6, 2011 
Place: Fort Mason Building D, Fleet Room, San Francisco (USA) 
Webpage: www.sftribal.com 
Comments:
PREVIEW OPENING NIGHT
NOVEMBER 4 • 6pm - 9pm
sushi and champagne
$35 at the door

REGULAR SHOW HOURS
SATURDAY, NOVEMBER 5 • 11am - 7pm
SUNDAY, NOVEMBER 6 • 11am - 5pm
$10 entrance

History:
San Francisco Tribal is an association of tribal art dealers from the San Francisco Bay Area. The association is comprised of 13 experts in African art, Oceanic art, Asian art, pre-Columbian art and North American Indian art. The members offer a wide range of high quality sculpture, masks, textiles, ceramics, weapons, shields and jewelry from ancient and traditional cultures and are committed to a standard of excellence and professional conduct.
San Francisco Tribal member dealers guarantee the quality and authenticity of everything they sell. From pre-Columbian to tribal Asian, the dealers have sold important works of tribal art to renowned museums and private collections worldwide. San Francisco Tribal enhances accessibility to this important community and promotes the Bay Area as a major destination for collectors of fine tribal and textile art. To this end, San Francisco Tribal presents tribal art exhibits that showcase the diverse specialties of its members and maintains this website with information about the dealers and the works of art they have for sale.
Participating SFT dealers: Dave DeRoche, Erik Farrow, Joe Loux, Vicki Shiba,
Frank Wiggers, James Willis  
Guest Dealers: Peter-Michael Boyd, Taylor A. Dale, Joshua Dimondstein, Sandra Horn
and Ari Maswell, Mark Johnson, Lewis-Wara Gallery, K.R. Martindale


© Text and image: San Francisco Tribal Show 2011

5 August 2011

Nias Art

Nias Art ETHNIKKA blog for cultural knowledge
EXHIBITION 
Name: Nias Art 
Place: internet gallery 
History: 
Nias is a remote and rather small island off the northwest coast of the world’s sixth largest island, Sumatra. Yet as difficult as it is to get to, a Neolithic society with an extensive megalithic culture featuring ancestor worship and headhunting evolved an especially high artistic expression, possibly enhanced through contact with belief systems arriving from India in the second half of the First Millennium. European missionaries, active since the 19th Century, brought back the heathen idols of the pagans to show their congregations and solicit funds for further soul saving. However not everyone reacted in horror, as the works were greatly prized by ethnographic museums and collectors, including the Surrealists. Man Ray famously took a shot of an Adu Zatu ancestor figure now in the Musée du quai Branly.
Assembled here are a group of ten works of art from Nias, some showing special forms and stylizations, others featuring exotic materials, some figural, others abstract but unified by a common sense of indigenous aesthetic, a beauty intended for the eyes of the living and the dead.

© Text and image: www.tmurrayarts.com

31 May 2011

BRUNEAF XXI Art Fair

SHOW
Name: BRUNEAF XXI (Brussels Non European Art Fair)
Date and opening times: 8-12 June 2011
Place: Different shops and galleries in Brussels. Office in: 17, Impasse Saint Jacques, Brussels (Belgium)
Contact: Phone: +32 (0)2 514 02 09, Fax: +32 (0)2 514 02 09, info@bruneaf.com
History:
The idea of uniting a handful of primitive antique dealers to tie in with the inauguration of the Ambre gallery and offer the public the first “Non European Art Open Days” at the Sablon first saw the light of day in 1983.
The idea took off and it was a resounding success… the project became firmly established, attracting more and more galleries from both Belgium and abroad over the years.
In 1988, the first modest brochure appeared with details of this constantly expanding forum of antique dealers and only three and a half years later the first catalogue was published, marking the success of this momentary fellowship of antique dealers with one objective in common: to promote the exceptional wealth of primitive art, of which they are the ambassadors.
From 1996 onwards, Brussels antique dealers invited colleagues from abroad to the event. Today, the participation of galleries from France, Italy, Spain, the United Kingdom, the Netherlands and the USA gives Bruneaf a decidedly international touch.
The Brussels Non European Art Fair has become one of the leading events displaying non-European art, covering fields as diverse as African, Oceanic, Indonesian, pre-Columbian, Asiatic and Australian Aboriginal art.
Sculptures, masks, fetishes, weaponry, jewellery, coins, fabrics, traditional objects executed by ethnic groups according to their own particular customs and worked in wood, metal, gold, silver, bronze, ivory or terra cotta - the objects on exhibit are ritual or domestic artefacts, combining shape with ornamental design. Although form always meets practical requirements, it is also testimony of a certain vision of the world. Objets d’art from Africa, Indian or Tibet thus draw on the wealth of the myths which form the collective memory, respecting the aesthetic and symbolic standards of tradition and following in the footsteps of the traditional crafts used by their ancestors.

See list of exhibitors here.

© Text and image: Bruneaf.com

22 March 2011

TEFAF Art And Antiques Fair

Name: TEFAF Art and Antiques Fair
Date and opening times: 18-27 March 2011, 11-19h
Place: MECC (Maastricht Exhibition & Congress Centre), Forum 100, Maastricht (The Netherlands)
Contact: info@tefaf.com
Webpage: www.tefaf.com
Comments:
TEFAF to celebrate its 25th anniversary in 2012
The 2011 edition of TEFAF Maastricht closed on Sunday 27th March. The Fair is often referred to as a museum in which everything is for sale. The breadth and quality of objects are admired throughout the world. In 2011 TEFAF attracted visitors from over 181 museums from 20 countries. Principal sponsor AXA Art brought more than 2,000 collectors to TEFAF this year. At Maastricht-Aachen airport 154 private aircrafts landed during the course of the Fair. Next year TEFAF celebrates its 25th anniversary from 16-25 March 2012. The Mayor of Maastricht, Onno Hoes, said, “The City of Maastricht and TEFAF are inseparable and are of great mutual benefit.  I very much look forward to celebrating the 25th anniversary of the Fair next year and the City looks forward to working with the Fair over the next quarter century”

© Text and image: www.tefaf.com

8 March 2011

Paris rue Visconti Exposition




Name: Paris rue Visconti Exposition
Date and opening times: 25-28 March 2011, 11-19h
Place: Different art shops at rue Visconti, Paris (France)
Contact: contact@letoitdumonde.net
Webpage: www.letoitdumonde.net

© Text and image: www.tribalart.com

25 January 2011

Brussels Antiques & Fine Arts Fair

Name: BRAFA’11 Brussels Antiques & Fine Arts Fair
Date and opening times: 21 to 30th January 2011, daily from 11 am to 7 pm
Place: Thurn & Taxis, Avenue du Port 86 C, Brussels, Belgium
Entrance fee: 20 €
Contact: info@brafa.be, Tel: +32 (0) 2 513 48 31
Webpage: www.brafa.be
Comments:
For the eight time, the Brussels Antiques & Fine Arts Fair will take place in the large halls of the mail sorting station of “Thurn & Taxis” The exhibition space comprises a total surface of 14.000 m², spread over room 1, 2, 3 and 4 of the building A. This historical building, located along the Willebroek canal, is a wonderful example of the Belgian industrial architectural heritage. It was built around 1903-1904 according to the plans of the architect Van Humbeek and was originally used as a storage place for transit merchandise. Technically seen it is the most astonishing building of the site, covered by a phenomenal metal frame of 17.000 m². The complex is situated in the heart of Brussels, only a few minutes from Place Rogier, the North Station and the tube station Yser.
Also this year the interior design of the different rooms of the fair will be done by Nicolas de Liedekerke and Daniel Culot of “Volume Architecture”. They participate actively to the creation of a general image of the 56th Brussels Antiques & Fine Arts Fair at the site of Tour & Taxis. Their team will once again render a unique creative touch to the architecture of this formal sorting centre.
The target of the “Asbl Foire des Antiquaires de Belgique” is to bring together the participating dealers and organise this prestigious national and international fair to their attention. Another objective is to create a sense of brotherhood and moral support amongst the affiliated members.
The 130 participants represent different countries such as Belgium (50%), France, Germany, Great-Britain, Holland, Hungary, Italy, Luxembourg, Monaco, Portugal, Russia, Spain, USA and Switzerland. A balanced number which the organisation doesn’t want to increase in spite of the international reputation of the fair.
Antiquities, Oceanic art, Tribal art, Oriental art, silver, antique jewellery, furniture and works of art from the Middle Ages to the 20th century, curiosities, ceramics, earthenware and porcelain, drawings, engravings, old master and modern paintings, sculpture, carpets, tapestry, antique and modern books, coins, contemporary art, photography.
Thanks to the increase of quality and the international reputation, the fair has actually a number of 38.000 visitors from Belgium and abroad.
Quality and authenticity are guaranteed thanks to a rigorous selection done by an independent vetting committee. These experts are not exhibiting and are mostly museum curators and scientists from all over the world. This vetting procedure adds greatly to the high expectations of the demanding public looking for exceptional works of art!

© Text and image: www.brafa.be

7 September 2010

Amsterdam Tribal Art Fair 2010

Name: Amsterdam Tribal Art Fair 2010
Date and opening times:   28 October 18.00 - 20.00
29 October until 31 October 11.00 - 18.00
Opening 28 October, 15.00 - 18:00 (on invitation only)
Admission: € 5
Place: De Duif, Prinsengracht 756, Amsterdam (Nederlands)
Comments:
Over 2000 exclusive objects from Oceania, Africa, Indonesia, China, Japan, Tibet and Laos, will come together at what is TAF Amsterdam 2010. The exhibition comprises jewellery and sculptures, but also textiles, masks, implements and furniture. Special pieces from far-away countries. In the last weekend of October they are to be seen and purchased in Amsterdam, at the eight edition of TAF Amsterdam.
Participants 2010:
  • African tribal Art Gallery de Ruyter-Van Santen, Katlijk
  • Art concern, Baarn
  • Astamangala, Amsterdam
  • Ben Hunter, London
  • Etnographic Art Books, Leiden
  • Frans Faber, Amsterdam
  • Galerij Daroun, Antwerp
  • Galerie Dogon, Berlin
  • Galerie Grégory Chesne, Lyon
  • Galerie Lemaire, Amsterdam
  • Galerie Hoogenbosch, Gorredijk
  • Galerie Willem Zwiep, Amsterdam
  • Karavanserai, Maastricht
  • Kauri New Guinea Art, Wormerveer
  • Michael Evans Tribal Art, Dijon
  • Mikael Jaspers, Nij Beets
  • Tribal Design, Amsterdam
  • Tribal Gathering, London
  • Salon, Eindhoven
  • A4 Magazin
  • Tribal Art Magazine

24 August 2010

Dialogue des Mondes

Name: Dialogue des Mondes: Victor Brauner et les Arts Primitifs
Date and opening times: 21 October to 4 December 2010
Place: Galerie Samy Kinge (54, rue de Verneuil) and Galerie Schoffel Valluet (14, rue Guénégaud), Paris (France)
Contact: christine.valluet@wanadoo.fr, Tel: +33 1 43 26 83 38
Comments:
Gallery Schoffel-Valluet and Gallery Samy Kinge are joining forces to present Dialogue des mondes : Victor Brauner et les arts primitifs (Dialogue of Worlds: Victor Brauner and Primitive Art), a double exhibition presenting twenty works on paper by Romanian avant-garde painter Victor Brauner and some thirty tribal objects from Africa, Oceania, and North America. Dialogue des mondes explores the ways in which tribal art opened the minds of the artists of Brauner's time to a "new territory of dream," and that the attraction of Brauner for these "primitive" art forms held as much, if not more, fascination for their magical powers as for their aesthetic qualities. 

© Text and image: www.tribalartmagazine.com

27 July 2010

Parcours des Mondes

Show: Parcours des Mondes. Les salon International des Arts Premiers
Date: Wednesday 8th to Sunday 12th October 2010, 11:00 to 19:00
Place: Quartier des Beaux-arts à Saint-Germain-des-Prés, Paris (France)
Galeries along streets Rue des Beaux-Arts, de Seine, Jacques Callot, Mazarine, Guénégaud, Visconti, Jacob and de l’Echaudé.
Admission: Free
Organizer: Tribal Art (www.tribalartmagazine.com)
Comments:
Parcours des Mondes  is the most important show of art by quality and diversity of its participants. Since 2002, it collects each year in Paris sixty galleries specializing in the arts of Africa, Asia, Oceania and the Americas. During the second week of September, German galleries, American, British, Australian, Belgian, Canadian, Spanish, Italian, Dutch and Swiss join their colleagues in Paris permanently installed in the area of Fine Arts in St. Germain-des-Prés.
In this exceptional concentration of works and experts in the form of an open living room with free access, visitors can browse through the quaint streets of this historic district. Each gallery offers an intimate and personalized presentation of unknown masterpieces from Africa or Oceania, the ethnographic works more affordable and sought after by collectors.
The largest international traders will offer to fans and collectors from all over the world masterpieces of Africa, Oceania, Asia and the Americas as well as beautiful ethnographic objects at a more affordable cost.
The success of the show is due to a combination of complementary elements: a healthy art market, the growing appetite of fans for these arts, efforts by merchants to propose thematic exhibitions of quality and vigilance of the organizers in terms of quality and expertise of exhibits.
With a dozen countries represented among the sixty galleries that participate in the event, this year Paris will be again the capital of primitive arts.

4 May 2010

The Way of Tea

Show: The Way of the Tea
Date: Friday 10 September, 14:00 and 15:00
Place: Room 92, British Museum, Great Russell Street, London, WC1B 3DG
Admission: Free
Comments:
A free demonstration of the Japanese tea ceremony in the Mitsubishi Corporation Japanese galleries.
Presented and supported by the Urasenke Foundation.

The History of the Tea Ceremony:
The popularity of tea is worldwide, but nowhere in the world does tea contribute as much to the cultural milieu as in Japan. There the preparation and drinking of tea has acquired esthetic significance and has developed into a distinct artistic accomplishment.
Tea was originally brought to Japan in the 9th century, by the Buddhist monk Eichū (永忠), who had returned to Japan from China. This is the first documented evidence of tea in Japan. The entry in the Nihon Kōki states that Eichū personally prepared and served sencha (unground Japanese green tea) to Emperor Saga who was on an excursion in Karasaki (in present Shiga Prefecture) in the year 815. By imperial order in the year 816, tea plantations began to be cultivated in the Kinki region of Japan. However, the interest in tea in Japan faded after this.
In China, tea had already been known, according to legend, for more than a thousand years. The form of tea popular in China in the era when Eichū went for studies was "cake tea" (団茶 dancha)—tea compressed into a nugget in the same manner as Pu-erh. This then would be ground in a mortar, and the resulting ground tea decocted together with various other herbs and/or flavorings.
The custom of drinking tea, first for medicinal, and then largely also for pleasurable reasons, was already widespread throughout China. In the early 9th century, Chinese author Lu Yu wrote The Classic of Tea, a treatise on tea focusing on its cultivation and preparation. Lu Yu's life had been heavily influenced by Buddhism, particularly the Zen–Chán school.[citation needed] His ideas would have a strong influence in the development of the Japanese tea ceremony.
Around the end of the 12th century, the style of tea preparation called "tencha" (点茶), in which matcha was placed in a bowl, hot water poured into the bowl, and the tea and hot water whipped together, was introduced by Eisai, another Japanese monk returning from China. He also brought tea seeds back with him, which eventually produced tea that was of the most superb quality in all of Japan.
This powdered green tea was first used in religious rituals in Buddhist monasteries. By the 13th century, when the Kamakura Shogunate ruled the nation and the samurai warrior class ruled supreme, tea and the luxuries associated with it became a kind of status symbol among the warrior class, and there arose tea-tasting (闘茶 tōcha) parties wherein contestants could win extravagant prizes for guessing the best quality tea—that grown in Kyoto, deriving from the seeds that Eisai brought from China.
The next major period in Japanese history was the Muromachi Period, pointing to the rise of Kitayama Culture (北山文化 Kitayama bunka), centered around the elegant cultural world of Ashikaga Yoshimitsu and his villa in the northern hills of Kyoto, and later during this period, the rise of Higashiyama Culture, centered around the cultural world of Ashikaga Yoshimasa and his retirement villa in the eastern hills of Kyoto. This period saw the budding of what is generally regarded as Japanese traditional culture as we know it today.
Tea ceremony developed as a "transformative practice", and began to evolve its own aesthetic, in particular that of wabi. Wabi, meaning quiet or sober refinement, or subdued taste, "is characterized by humility, restraint, simplicity, naturalism, profundity, imperfection, and asymmetry [emphasizing] simple, unadorned objects and architectural space, and [celebrating] the mellow beauty that time and care impart to materials." Murata Jukō is known in chanoyu history as the early developer of this, and therefore is generally counted as the founder of the Japanese "way of tea". He studied Zen under the monk Ikkyū, who revitalized Zen in the 15th century, and this is considered to have influenced his concept of chanoyu.
By the 16th century, tea drinking had spread to all levels of society in Japan. Sen no Rikyu, perhaps the most well-known—and still revered—historical figure in tea ceremony, followed his master, Takeno Jōō's, concept of ichi-go ichi-e, a philosophy that each meeting should be treasured, for it can never be reproduced. His teachings perfected many newly developed forms in Japanese architecture and gardens, fine and applied arts, and the full development of chadō, "the "way of tea". The principles he set forward—harmony (和 wa), respect (敬 kei), purity (清 sei), and tranquility (寂 jaku)—are still central to tea ceremony.
Many schools of Japanese tea ceremony have evolved through the long history of chadō and are active today.

©Text by Wikipedia, Photo by British Museum