Chez Pascal: A Frenchman's Home is his Gallery

COLLECTORS - PASCAL BUTEL, Asian Art

From Time.com article by John Krich, 24 March 2011

Chez Pascal: A Frenchman's Home is his Gallery

"As implausible as it sounds, one of Bangkok's most stunning private collections of antiques is located on a cul-de-sac approachable through the city's most notorious stretch of girlie bars. And this establishment comes with the most personal of services: a guided tour from Pascal Butel, a transplanted Frenchman who is one of Asia's least known yet most devoted collectors.

He was practically born to the life. When he was 7, his grandmother in Nice chose to bestow on him, from her brassiere, the keys to trunks of treasures foraged from Indochina by her father. As a young man on a whimsical urge, Butel made Thai his college major in Paris and afterward headed east.

These days, he lives in a house full of exceptional finds. While his bedroom is off-limits, the rest of the place is packed with astounding objects: a Himalayan shaman's pouch made from a bear paw, a rare Isfahan carpet, intricately carved Nepalese looms, striking totems from Nagaland, Javanese chests. Butel waxes poetic about each object, discussing its provenance and uses daily or divine. The trove, apparently, is a fraction of Butel's main collection, kept in France.

More than merely collecting, Butel sees himself as helping preserve traditional "communities of interest and belief" and celebrating a time when "the hand that shaped was directly connected to the heart." Despite being able to lecture like a professor about all he's gathered, he also knows his own limitations. "Just as a grandmother never tells you everything about her life," he says, "the best part of these objects is their mystery."

Casual tourists are not welcome, but Butel will open his doors to those who genuinely share his passion. For an appointment call (66) 8094 40208." 
You can email him as well at pbsthai@hotmail.com.

Pascal Butel's tribal and traditional arts of Asia are only a portion of his collections, which also focus on antique objects, furniture and high end statuary. 

Buddhism across Asia

Exhibition: Images and sacred texts, Buddhism across Asia
Dates: 14 October 2010 – 3 April 2011

Opening times: Open daily 10.00–17.30. Open late* on Fridays until 20.30 (last entry 70 minutes before closing)

Place: The British Museum, Great Russell Street, London (UK)

Entrance Fee: Free

About the exhibition:

Through sacred texts, painted scrolls and sculptures from Sri Lanka to Japan, discover the shared traditions of Buddhism – the ‘three gems’.

The exhibition features depictions of the ‘three gems’ from across Asia. The ‘three gems’ consist of the Buddha himself, his teachings (dharma), and the Buddhist community (sangha). Despite regional variations, the ‘three gems’ show remarkable similarities, sometimes across hundreds of years.

Objects featured in the exhibition include exquisite gold sculptures and paintings of the Buddha, beautiful Buddhist texts on palm leaf and paper, and a selection of images of Buddhist monks.

The objects come from across the whole of Asia, including India, China, Mongolia, Tibet, Thailand, Cambodia, Korea and Japan. The earliest objects are from the 1st–2nd century AD, and the latest date to the 20th century.

Many of these objects have never been on display before, making this is a unique opportunity to view rarely-seen items from the British Museum’s collection. Due to the fragility of the paintings and texts, some items in the display will be changed after three months, halfway through the exhibition run.

This exhibition provides an insight into the key elements which hold the Buddhist world together in Asia and, now that Buddhism is a worldwide faith, across the world as a whole.

Webpage: www.britishmuseum.org/whats_on/exhibitions/buddhism_across_asia.aspx

© Text and image: British Museum

Sang sattawat

Title: Sang sattawat

Director: Apichatpong Weerasethakul

Writer: Apichatpong Weerasethakul

Year: 2006

Running time: 105 minutes

Country: Thailand

Plot summary:

Syndromes and a Century (Thai: แสงศตวรรษ saeng satawǎat, literally Light of the Century) is a 2006 Thai drama film written and directed by Apichatpong Weerasethakul. The film was among the works commissioned for Peter Sellars' New Crowned Hope festival in Vienna to celebrate the 250th anniversary of the birth of Wolfgang Amadeus Mozart. It premiered on August 30, 2006 at the 63rd Venice Film Festival.

The film is a tribute to the director's parents and is divided into two parts, with the characters and dialogue in the second half essentially the same as the first, but the settings and outcome of the stories are different. The first part is set in a hospital in rural Thailand, while the second half is set in a Bangkok medical center. "The film is about transformation, about how people transform themselves for the better," Apichatpong said in an interview.

In Thailand, Syndromes and a Century became controversial after the Board of Censors demanded that four scenes be cut in order for the film to be shown commercially. The director refused to cut the film and withdrew it from domestic release. Since then, the director had agreed to a limited showing in Thailand where the cut scenes were replaced with a black screen to protest and inform the public about the issues of censorship.

© Text: Wikipedia